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  <title>Resources</title>
  <subtitle>Fesh Music resources and articles</subtitle>
  <link href="https://feshmusic.com/feed/feed.xml" rel="self" />
  <link href="https://feshmusic.com/resources" />
  <updated>2024-04-02T00:00:00Z</updated>
  <id>https://feshmusic.com/resources</id>
  <author>
    <name>Fesh Music</name>
  </author>
  <entry>
    <title>Warming Up at the Keyboard</title>
    <link href="https://feshmusic.com/resources/warming-up/" />
    <updated>2024-04-02T00:00:00Z</updated>
    <id>https://feshmusic.com/resources/warming-up/</id>
    <content type="html">&lt;p&gt;A short warm-up is one of the best habits you can build. It loosens the hands, wakes up your ears, and tells your brain that practice has begun.&lt;/p&gt;
&lt;img src=&quot;https://feshmusic.com/resources/warming-up/Q2AoYPqPIA-1200.webp&quot; alt=&quot;A pianist&#39;s hands resting on the keys before a warm-up&quot; loading=&quot;lazy&quot; decoding=&quot;async&quot; width=&quot;1200&quot; height=&quot;798&quot;&gt;
&lt;h2 id=&quot;begin-with-gentle-scales&quot;&gt;Begin with gentle scales&lt;/h2&gt;
&lt;p&gt;Play a few octaves of a favourite scale slowly and evenly. Evenness matters more than speed — you are waking the hand up, not racing it.&lt;/p&gt;
&lt;h2 id=&quot;add-one-technical-exercise&quot;&gt;Add one technical exercise&lt;/h2&gt;
&lt;p&gt;Pick a single exercise (Hanon, Czerny, or a simple five-finger pattern) and play it once at a relaxed tempo. One is enough; the goal is blood flow and attention, not endurance.&lt;/p&gt;
&lt;h2 id=&quot;listen-before-you-play&quot;&gt;Listen before you play&lt;/h2&gt;
&lt;p&gt;Before a single note, hold your hands over the keys and take a breath. Two seconds of calm focus will do more for your playing than any finger drill.&lt;/p&gt;
&lt;h2 id=&quot;do-not-skip-it&quot;&gt;Do not skip it&lt;/h2&gt;
&lt;p&gt;The sessions you feel least ready for are exactly the ones where a warm-up pays off most. Make it the ritual that starts every practice.&lt;/p&gt;
</content>
  </entry>
  <entry>
    <title>Choosing Your First Piano or Keyboard</title>
    <link href="https://feshmusic.com/resources/first-piano/" />
    <updated>2024-03-08T00:00:00Z</updated>
    <id>https://feshmusic.com/resources/first-piano/</id>
    <content type="html">&lt;p&gt;The instrument you practice on shapes how quickly you progress. You do not need a concert grand to start, but a few features matter far more than price or brand.&lt;/p&gt;
&lt;img src=&quot;https://feshmusic.com/resources/first-piano/wteTFb2QR9-1000.webp&quot; alt=&quot;A digital piano keyboard set up with headphones and a music stand&quot; loading=&quot;lazy&quot; decoding=&quot;async&quot; width=&quot;1000&quot; height=&quot;667&quot;&gt;
&lt;h2 id=&quot;weighted-keys-are-non-negotiable&quot;&gt;Weighted keys are non-negotiable&lt;/h2&gt;
&lt;p&gt;Look for the words &lt;em&gt;weighted&lt;/em&gt; or &lt;em&gt;hammer action&lt;/em&gt;. These keys resist your fingers the way a real piano does, which builds hand strength and control. Light, springy keys feel easy now but teach habits you will have to unlearn later.&lt;/p&gt;
&lt;h2 id=&quot;count-the-keys&quot;&gt;Count the keys&lt;/h2&gt;
&lt;p&gt;Aim for 88 keys if your space and budget allow, though 61 keys can work for a first year. A full-size keyboard keeps you from outgrowing your instrument in six months.&lt;/p&gt;
&lt;h2 id=&quot;do-not-forget-the-extras&quot;&gt;Do not forget the extras&lt;/h2&gt;
&lt;p&gt;A height-adjustable bench, a sturdy stand or cabinet, and a sustain pedal round out a comfortable setup. Headphones are a small purchase that make evening practice possible without disturbing anyone — a detail many families underestimate.&lt;/p&gt;
</content>
  </entry>
  <entry>
    <title>Reading Music: Where to Begin</title>
    <link href="https://feshmusic.com/resources/reading-music/" />
    <updated>2024-02-12T00:00:00Z</updated>
    <id>https://feshmusic.com/resources/reading-music/</id>
    <content type="html">&lt;p&gt;Reading music is a skill, not a secret code. Like reading words, it starts with recognizing a few symbols and gradually becomes automatic. You do not need to learn it all before you play — you learn it by using it.&lt;/p&gt;
&lt;img src=&quot;https://feshmusic.com/resources/reading-music/v00e-EU7GY-1000.webp&quot; alt=&quot;A teacher and student reviewing sheet music during an online lesson&quot; loading=&quot;lazy&quot; decoding=&quot;async&quot; width=&quot;1000&quot; height=&quot;667&quot;&gt;
&lt;h2 id=&quot;the-two-things-that-matter-first&quot;&gt;The two things that matter first&lt;/h2&gt;
&lt;p&gt;Almost everything on a page of music answers one of two questions: &lt;em&gt;which note&lt;/em&gt; and &lt;em&gt;how long&lt;/em&gt;. The staff lines tell you the pitch, and the note shapes tell you the rhythm. Focus on those two ideas and the rest fills in naturally.&lt;/p&gt;
&lt;h2 id=&quot;treble-and-bass-together&quot;&gt;Treble and bass together&lt;/h2&gt;
&lt;p&gt;Piano uses two staves joined together. Your right hand generally reads the upper (treble) staff and your left hand reads the lower (bass) staff. You will be surprised how quickly your eyes learn to track both lines at once.&lt;/p&gt;
&lt;h2 id=&quot;read-slowly-out-loud&quot;&gt;Read slowly, out loud&lt;/h2&gt;
&lt;p&gt;Say the note names out loud as you play them, at a snail&#39;s pace. Saying and playing at the same time is slow at first, but it builds a much stronger connection than guessing your way through.&lt;/p&gt;
</content>
  </entry>
  <entry>
    <title>Building a Daily Practice Habit</title>
    <link href="https://feshmusic.com/resources/practice-habit/" />
    <updated>2024-01-15T00:00:00Z</updated>
    <id>https://feshmusic.com/resources/practice-habit/</id>
    <content type="html">&lt;p&gt;Consistency beats intensity at the piano. Ten focused minutes every day will move you further than an hour once a week. The hard part is not talent — it is building a routine your brain actually wants to repeat.&lt;/p&gt;
&lt;img src=&quot;https://feshmusic.com/resources/practice-habit/XpFqnEZRRw-1000.webp&quot; alt=&quot;A student sitting at an upright piano during a lesson&quot; loading=&quot;lazy&quot; decoding=&quot;async&quot; width=&quot;1000&quot; height=&quot;667&quot;&gt;
&lt;h2 id=&quot;start-absurdly-small&quot;&gt;Start absurdly small&lt;/h2&gt;
&lt;p&gt;Pick a goal so small you cannot talk yourself out of it — one scale, one measure, one tricky transition. The point of the first week is not progress; it is showing up. Once sitting down feels automatic, you can quietly raise the bar.&lt;/p&gt;
&lt;h2 id=&quot;practice-in-loops-not-passes&quot;&gt;Practice in loops, not passes&lt;/h2&gt;
&lt;p&gt;Instead of playing a piece start to finish, isolate the two bars that keep falling apart. Slow them down until they are easy, then nudge the tempo up. This is how you actually learn a passage rather than rehearsing your mistakes.&lt;/p&gt;
&lt;h2 id=&quot;end-on-a-win&quot;&gt;End on a win&lt;/h2&gt;
&lt;p&gt;Finish every session by playing something you enjoy and can already play well. Your last memory of practice should be pleasant, because that is the feeling your brain files away for tomorrow.&lt;/p&gt;
</content>
  </entry>
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